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Salinger appears to have an inherent understanding of dramatic technique, and he is able to integrate this into his writing of short stories.
He tells them that she does not drop everything to answer a telephone, that “she looked as if her phone had been ringing continually ever since she had reached puberty.” Perhaps Salinger’s greatest triumph in terms of technique is that he always evinces a respect for the intellectual capacity of his readers. Seymour Glass is a poetic saint caught in a stifling marriage to Muriel, whom he has dubbed “Miss Spiritual Tramp of 1948.” Their honeymoon only emphasizes their separateness and the impossibility of real intimacy between them: While an unfeeling Muriel concerns herself with drying her nails and gabbing on the phone with her mother about her new husband’s questionable sanity, Seymour roams the beach.
There he meets and courts the affection of a little girl, Sybil Carpenter, whose innocence and natural sympathy for his loneliness both please him (he plants a kiss on her ankle) and force him to weigh a child’s warmth against the bleakness of the adult responsibilities that face him.
Eventually, he becomes an eccentric outsider who rejects all company of adults, but is willing to communicate with children.
Muriel is Seymour's socialite wife; she is embraced by the materialistic society, but has neglected the needs of Seymour.
In the beginning of the story, the mental disturbance that Seymour displays to the readers contributes to the climax of the story.
Muriel stays in the hotel room and talks to her mother on telephone. She tells about a car accident that Seymour crashed Muriel's father's car into a tree on propose.
While they are talking, her mother expresses her anxiety towards the safety of Muriel due to the erratic behaviors of Seymour. This car accident implies Seymour's suicidal intention, which illustrates his living in a painful life.
Her mother also tells about the rude things that Seymour has said to them, which reveals Seymour's dislike towards adults.
In the end of the story, Seymour shoots himself in the hotel room; his suicide is also the climax of the story.
Seymour undergoes a series of change from the beginning to the climax; at first he keeps silence with the adults, then becomes talkative and pleasant with the little girl, and reaches the climax by shooting himself in the end.