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was the film, its theme song an ironically autobiographical blues.(“I didn’t make it playing by the rules,” he sings.
“Only three things that’s for sure — taxes, death, and trouble.”) With few exceptions, the rest of the seventies was devoted to major suites.
One exception is “You’re the Man,” a sparkling footnote to , written and produced by Marvin during President Nixon’s 1972 re-election campaign.
“That’s the Way Love Is” and “Too Busy Thinking About My Baby” are also splendid examples of the wonders of Whitfield-Gaye. Now he thought in terms of concept albums, none more breathtaking than would fail, didn’t matter. For the first time, I felt like I had something to say.” Released in 1971, the self-produced suite reflects a whirl of crosscurrents — silky rhythm-and-blues, string-laden pop, gospel sensibilities, free-form jazz.
“His Eye Is On the Sparrow” is a rare and moving instance of Marvin singing a spiritual non-pop song in the sixties. Tenorman Wild Bill Moore raged beneath the vocals with the fury of Pharaoh Sanders.
He began as a session drummer but soon was singing.