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The New York Public Library opened the year he turned twelve and won a silver badge for “A Winter Walk,” an essay published in .That review marks the birth of serious criticism of children’s literature.
Between 18, Andrew Carnegie underwrote the construction of more than sixteen hundred public libraries in the United States, buildings from which children were routinely turned away, because they needed to be protected from morally corrupting books, especially novels.
In 1894, at the annual meeting of the American Library Association, the Milwaukee Public Library’s Lutie Stearns read a “Report on the Reading of the Young.” What if libraries were to set aside special books for children, Stearns wondered, shelved in separate rooms for children, staffed by librarians who actually liked children?
Samuel Tilden, who left $2.4 million to establish a free library in New York, nearly changed his mind when he found out that ninety per cent of the books checked out of the Boston Public Library were fiction.
Meanwhile, libraries were popping up in American cities and towns like crocuses at first melt.
In 1896, Anne Carroll Moore was given the task of running just such an experiment, the Children’s Library of the Pratt Institute, in Brooklyn, built at a time when the Brooklyn schools had a policy that “children below the third grade do not read well enough to profit from the use of library books.” Moore toured settlement houses and kindergartens (also a new thing), and made a list of what she needed: tables and chairs sized for children; plants, especially ones with flowers; art work; and very good books. The cornerstone of the New York Public Library was laid in 1902, at Forty-second Street and Fifth Avenue.
Four years later, after the library’s directors established a Department of Work with Children, they hired Moore to serve as its superintendent, a position in which she not only oversaw the children’s programs at all the branch libraries but also planned the Central Children’s Room.
She could be a tough critic, especially of books that violated her rules: “Books about girls should be as interesting as girls are” or “Avoid those histories that gain dramatic interest by appeal to prejudice. White had her own ideas about who should draw the line, if a line had to be drawn, between what was good for children, what was childish, and what was just plain rotten.
Especially true of American histories.” But merely in bothering to regularly criticize children’s books Moore was ahead of everyone. About Anne Carroll Moore she once fumed, “Critic, my eye!
Everyone in the kingdom is happy about the birth of the new prince except for one lion. Scar is Mufasas brother and was next in line to be king before Simba took his place. Simba is watched by the Scar then tells Simba that he should leave because Mufasas death was his fault and the kingdom will be angry with him.. She informs him of the kingdoms state and tells him that he should return and take his place as king.
As time passes Timon and Pumba raise Simba, they become his family. Scar and the hyenas have ruined the once great Pride Rock..