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In the room, there was “a huge surge of sympathy.”Mallory had frequently referred to electroconvulsive therapy before.
A film adaptation, starring Amy Adams and Gary Oldman, was shot in New York last year.
Mallory has said that his second novel is likely to appear in early 2020—coinciding, he hopes, with the Oscar ceremony at which the film of “The Woman in the Window” will be honored.
It was almost like an outsider looking in on his own success.”Mallory and Scott later appeared at a festival event that took the form of a lighthearted debate between two teams.
The audience was rowdy; Scott recalled that, when it was Mallory’s turn to speak, he flipped the room’s mood.
“I’ve thrived on both sides of the Atlantic,” he said. ” He’d reached a mass readership with a first novel that, he said, had honored E. Forster’s exhortation in “Howards End”: “Only connect.” Mallory described himself as a man “of discipline and compassion.”Mallory also explained that he had come to accept that he was attractive—or “semi-fit to be viewed by the semi-naked eye.” On a trip to China, he had been told so by his “host family.” At a Such storytelling is hardly scandalous. (And he never “worked with” Tina Fey at Little, Brown, as an official biography of Mallory claimed; a representative for Fey recently said that “he was not an editor in any capacity on Tina’s book.”)Moreover, according to many people who know him, Mallory has a history of imposture, and of duping people with false stories about disease and death.
Mallory was taking his first steps as a public figure. He said that he had taught at Oxford University, where he had received a doctorate. Long before he wrote fiction professionally, Mallory was experimenting with gothic personal fictions, apparently designed to get attention, bring him advancement, or to explain away failings.In a talk that Mallory gave at a library in Centennial, Colorado, soon after his book’s publication, he said, “I resorted to hypnotherapy, to electroconvulsive therapy, to ketamine therapy, to retail therapy.”In that talk, as in dozens of appearances, Mallory adopted a tone of witty self-deprecation.(An audience member asked him if he’d considered a career in standup comedy.) But Mallory’s central theme was that, although depression may have caused him to think poorly of himself, he was in fact a tremendous success. Although he may have read Rowling’s manuscript, it was not published on his recommendation.He repeated entertaining, upbeat remarks about his love of Alfred Hitchcock and French bulldogs.When he made an unscheduled appearance at a gathering of bloggers in São Paulo, he was greeted with pop-star screams.Translation rights have been acquired in more than forty foreign markets. Jonathan Karp, the publisher of Simon & Schuster, recently recalled that Mallory, as a junior colleague in the New York book world, had been “charming, brilliant,” and a “terrific writer of e-mail.” Tess Gerritsen, the crime writer, met Mallory more than a decade ago, when he was an editorial assistant; she remembers him as “a charming young man” who wrote deft jacket copy.Craig Raine, the British poet and academic, told me that Mallory had been a “charming and talented” graduate student at Oxford; there, Mallory had focussed his studies on Patricia Highsmith’s Tom Ripley novels, which are about a charming, brilliant impostor.One, in London, said, “He exploited people who were sweet-natured.” A colleague at William Morrow told friends, “There’s this guy in my office who’s got a ‘Talented Mr. Every spring, he read applications from students who, having been accepted by Oxford to pursue a doctorate in English, hoped to be attached to New College during their studies.Ripley’ thing going on.” In 2013, Sophie Hannah, the esteemed British crime-fiction writer, whose work includes the sanctioned continuation of Agatha Christie’s series of detective novels, was one of Mallory’s authors; she came to distrust accounts that he had given about being gravely ill. A decade or so ago, Raine read an application from Dan Mallory, which described a proposed thesis on homoeroticism in Patricia Highsmith’s fiction.Mallory had by then spent a decade in publishing, in London and New York, and many people in the profession had heard rumors about him, including the suggestion that he had left jobs under peculiar circumstances.Several former colleagues of Mallory’s who were interviewed for this article recalled feeling deeply unnerved by him. I.”Craig Raine taught English literature at New College, Oxford, for twenty years, until his retirement, in 2010.