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We see a connection between the two men, but not communication.
When Foxx learned of this role, he might reasonably have sensed another Academy Award.
Unfortunately, the sceenwriter and director don't set up a structure for Oscar-style elevation, nor do they really want to make a serious and doleful film about mental illness.
"The Soloist" has all the elements of an uplifting drama, except for the uplift.
The story is compelling, the actors are in place, but I was never sure what the filmmakers wanted me to feel about it.
When Lopez finds him, Ayers is alone, suspicious of everyone, and deeply troubled, but glimmers of that brilliance are still there." From an impromptu concert of Beethoven's Eighth in the Second Street tunnel to a performance of Bach's Unaccompanied Cello Suites on Skid Row, the two men learn to communicate through Ayers's music.
The Soloist is a story about unwavering commitment, artistic devotion, and the transformative magic of music.That is no fault of Jamie Foxx's performance creating a man who is tense, fearful, paranoid and probably schizophrenic.We can almost smell his terror, through the carnival clown clothing and hats he hides behind. Meredith collects data to deliver the best content, services, and personalized digital ads.We partner with third party advertisers, who may use tracking technologies to collect information about your activity on sites and applications across devices, both on our sites and across the Internet.You always have the choice to experience our sites without personalized advertising based on your web browsing activity by visiting the DAA's Consumer Choice page, the NAI's website, and/or the EU online choices page, from each of your browsers or devices.To avoid personalized advertising based on your mobile app activity, you can install the DAA's App Choices app here.But those are the two apparent possibilities here, and "The Soloist" seems lost between them. His marriage has problems, he feels burned out at work, he's had a bike accident.He encounters Ayers almost outside the Times building, attracted by the beautiful sounds he's producing on a violin with only two strings. Lopez tries to get to know him, writes a first column about him, learns he once studied cello at Juilliard.And Catherine Keener, like Helen Mirren in "State of Play," convinces me she might really be an editor.Both actresses bring a welcome change of pace from the standard Lou Grant type.